World Literatures and Cultures
Welcome to the World!
Are you interested in different cultures? Experience the lives and stories of people around the planet in a World Cultural Literacy class, and consider a World Cultural Literacy Minor.
Content of classes may include film, animation, illustrations, texts, lyrics, and popular cultural references. Readings are in English translation, but original texts may be supplied on request.
Consider doing a newly revised World Cultural Literacy Minor and experience the world through the living arts, while gaining an understanding crucial to working well with others in cultures across the globe. The World Cultural Literacy Minor offers an opportunity for breadth and balance, especially for STEM students, in Literature, History of Art, History, Music, Philosophy, and Religious Studies.
Note that most of the World Literatues and Cultures courses below offered by FLL fulfill Humanities as well as GK requirements. Courses cross-listed as FL/ENG have seats available under both FL and ENG: one course, same time, same place, same teacher, same requirements filled. Students can search under both FL and ENG for open seats.
The World Cultural Literacy Minor also includes courses in History, History of Art, Music, Philosophy, and Religious Studies
This course examines urban society, popular culture, and social change in the twentieth century in different regional contexts - East Asia, Latin America, the Middle East, South Asia, Western Europe, and Francophone or other colonial contexts. The regional focus of the course varies as the teaching team varies. The course is divided into segments which may include: Language and the Print Revolution; War and Colonization; Society and Gender Issues; Popular Culture and the Arts; and Cultural Expression in the Age of Global Capital. Content will include lectures and primary and secondary materials from multiple regional contexts.
An introduction to the diverse nature of the French-speaking world and its relationship to the United States. By examining various types of media from literature to film, we will trace the roots of Franco-American relationships from Imperialism to the present day. Topics include historical and current perspectives from Acadia, Haiti and the Antilles, North and West Africa and Europe. It will emphasize questions of identity, migration, creolite, negritude, social justice and current events.
An overview of the visual arts in France, defined broadly, and their relationship to French society and culture: painting, architecture, photography, cinema, book production, gardens, fashion, food, television, popular culture, and mass media, including the Internet. The principal themes of the course are how France's cultural heritage is embodied in its rich tradition of visual expression and how artists' visual expressions have either served to represent, glorify, or critique the nation.
Readings in traditional literature, in translation, from Africa, the Middle and Near East, South Asia, China, Japan, and the Americas. Students will be introduced to the origins and flourishing of these oldest cultures through the oral and written stories, poems, essays, and plays that have become the defining work of these societies. At the same time, students will examine the geographical, historical, and political contexts from which these texts arose. Readings may include such works as Sunjata, Gilgamesh, The Quran, A Thousand and One Nights, the Upanishads, the Ramayana, the Dao De Jing, The Popul Vuh, and such authors as Rumi, Confucius, and Murasaki Shikabu.
Readings in English translation of Western literary masterpieces from the beginning of literacy in the Middle East and Europe to the present. May include such authors as Homer, Sophocles, Virgil, Ovid, Dante, Machiavelli, Shakespeare, Cervantes, Swift, Goethe, Mann, Austen, Flaubert, Tolstoy, Proust, Kafka, Woolf, and Borges.
Readings from Biblical, Classical, Medieval, and Early Renaissance literature including such authors as Homer, Plato, Sappho, Virgil, Ovid, St. Augustine, Marie de France, and Dante. Films may be shown to complement readings. Emphasis on the interrelations of the arts and literature in a social context.
A study of Western literature from the Renaissance to the twentieth century. Authors may include Molière, Blake, Goethe, Ibsen, Kafka, Woolf, Eliot, and Pirandello. Emphasis on the relationships between literature, history, politics, the visual arts, and music.
Twentieth-century literature of some of the following cultures: European, Russian, Latin American and Caribbean. Discussion of major themes, stylistic developments, and connections between literature, film and recent history.
A survey of contemporary imaginative literature by South Asian, Central Asian, Chinese, Japanese, Middle and Near Eastern, African, and Native American writers. Discussion of major themes, stylistic developments, and connections between literature, film and recent history.
Fictional and nonfictional versions of the Holocaust, focusing on themes of survival, justice, theology, and the limits of human endurance.
This course challenges students to understand the historical, political, and cultural circumstances that gave rise to literary production in 18th- and 19th-century colonial societies. The course will enable students to understand the value of reading 18th- and 19th-century literature from a global perspective, a critical component of literary studies in today's twenty-first-century world.
A geographical and thematic examination of war and questions it raises, as reflected in selected writings from, Homer, Sophocles, Japan's Tale of the Heike, Shakespeare, The Bhagavad-Gita, Keegan, Kipling, Graham Green, Mulden, Michael Herr, Dexter Filkins, Lucius Shepherd as well as writers on Just War and Deterrence Theory, and military science.
Greek and Roman mythology through the writings and art of the Classical period. Discussion of creation stories, the major gods and heroes, the underworld and afterlife, intellectual, religious and educational role of myth, and the most important theories of interpretation and classification. All readings and discussion in English.
Study of the ways classical myth and culture appear in modern media such as film, TV, comics, the internet and others, with focus on why ancient stories, ideas and images are still appealing, but also how and hwy they are used in new ways with new meanings.
Study of great works of Greek and Latin Literature in a genre such as tragedy, comedy, epic or lyric, with attention to both literary merit and cultural importance. All readings in English. May be taken up to three times in different genres for credit.
Study of the formation of ideas and practices regarding gender, ethnicity, and identity in the ancient Greek and Roman world, with attention to both continuities and difference between ancient and modern views
This course offers a survey of cinema in modern Egypt using film as a medium to learn about the cultural and social structures in Egypt. The course incorporates weekly screenings of feature films representing different styles and periods. Students will be required to read relevant material, take essay exam questions, write film reviews, a final paper, and give a presentation of their final paper. The course is taught in English.
Introduction to basic aspects of cultural practices and production in diverse societies of the Arabic-speaking world in translation, including family relationships, education, work life, religious practices, gender and sexuality, language, and aesthetic traditions, including music, art, and film. Reading and analysis of representative works of modern Arab visual and print cultures including language, literature, film, digital media, music, and art with attention to cultural analysis as well as to historical and cultural background.
Introduction to basic aspects of cultural practices and production in Chinese society, including consumer culture, education, work life, family relationships, everyday religious practices, aesthetic traditions, national identity, and gender. Reading and analysis of representative works of modern Chinese visual and print culture including literature, film, advertising, digital media and consumer products with attention to cultural analysis as well as to historical and cultural background.
A survey of literature in Japan from earliest recorded times through the sixteenth century. Examples from major eras and genres [folktales, poetry, philosophy, fictional narrative, theater, etc.] will be considered, with attention to historical and cultural contexts, as well as to contemporary scholarship and approaches toward traditional literature. Examples from literature outside Japan will be included for comparative purposes. No prior knowledge of Japanese required: Readings and discussions in English.
A survey of literature in Japan from 1600 to late Nineteenth Century. Examples from major periods and genres [novels, poetry, philosophy, dram, miscellaneous narrative, etc.] will be considered, with attention to historical and cultural contexts, as well as to contemporary scholarship and approaches toward the literature. Examples from literature outside Japan will be included for comparative purposed. No prior knowledge of Japanese required: Readings and discussions in English.
A survey in literature in Japan from the Meiji Era through World War Two. Examples from major periods and genres [novels, poetry, philosophy, drama, miscellaneous narrative, etc.] will be considered, with attention to historical and cultural contexts, as well as to contemporary scholarship and approaches toward the literature. Examples from literature outside Japan will be included for comparative purposes. No prior knowledge of Japanese required: Readings and discussions in English.
Introduction to basic aspects of cultural practices in Japanese society, including education, work life, family relationships, everyday religious practices, aesthetic traditions, national identity, and gender. Students will develop an understanding of the interrelationships between language and culture.
Introduction to basic aspects of cultural practices and production in Hindi-Urdu speaking societies in South Asia and around the world, including consumer culture, education, family relationships, gender and sexuality, language, national identity, religious practices, work life, and aesthetic traditions, including music, art, and film. Discussion and analysis of representative works of Hindi-Urdu visual and print cultures including art, advertising, digital media, language, literature, film and music with attention to cultural analysis as well as to historical and cultural contexts.
A study of the great Russian writers of the nineteenth century. Examination of peculiarly Russian as well as the universal aspects of this literature. All readings, lectures and discussions in English.
A study of major Russian writers of the twentieth century. Examination of peculiarly Russian as well as the universal aspects of this literature. All readings, lectures and discussions in English.
Russian culture and society through cinema. A study of selected films representative of major social-political, ideological, and artistic developments. Weekly film screenings. No knowledge of Russian required.
Introduction to the sociolinguistics of globalization. Through linguistic-semiotic practices, examine how mobility, migration, and the global circulation of information and ideologies impact people, places, and practices. Study of the interplay between global flows, [trans]local contexts, and the consequences of intense contact with linguistic and cultural otherness. Topics include: English as a global language; mobility, migration, multilingualism; youth language in mobility; multilingual hip-hop; globalization and social media; multilingual signs and linguistic landscapes in urban settings.
Anglophone literature in Africa. Emphasis on the relationship between the African world-view and literary production and the persistent trend by African writers to connect literature with politics. Writers such as Achebe, Ngugi, Soyinka, and Serote.
Intensive study in English, of the writings of one (or two) author(s) from outside the English and American traditions. Sample subjects: Homer, Virgil and Ovid, Lady Murasaki, Marie de France and Christine de Pizan, Dante, Cervantes, Goethe, Balzac and Flaubert, Kafka, Proust, Lessing and Gordimer, Borges and Marquez, Neruda, Achebe, Soyinka, Calvino, Walcott and Naipaul. Topics will vary from semester to semester.
Concentrated treatment of one literary genre, such as the epic, lyric poetry, drama, the essay, the novel, the short story, satire, romance, or autobiography. Treatment of materials from several national or ethnic cultures and periods.
Studies in World Literature; for example, literatures of Africa, The Middle East, Persian and South Asian literatures, Japanese and Chinese literatures, Latin American and Caribbean literatures, and European literatures. Genres and themes may include film, drama, comedy, romance, the epic, lyric poetry, autobiography, metamorphosis, the Faust legend, science fiction and fantasy. Subjects vary according to instructor.
International modernist movement in literature, from its nineteenth-century origins to its culmination in the early twentieth century. Definitions of modernity, as embodied in a variety of genres. Placement of Modernist texts within a variety of cultures that produced them.
Literary expressions of Postmodernism, from its origins in the Modernist movement through its culmination in the later decades of the twentieth century. Definitions of postmodernity, as embodied in a variety of genres. Placement of Postmodernist texts within a variety of cultures that have produced them.
This course will investigate notable literary exchanges in the literatures of the Atlantic Rim, long linked by trade [including slavery] as well as by commerce of many other kinds. Examples of these exchanges include Great Britain and the U.S., the U.S. and the Caribbean, and very importantly, between African cultures on the Atlantic and Atlantic cultures in the U.S. The course will explore the literary and cultural hybridity brought about by these exchanges. Representative writers: William Shakespeare and Aimee Cesaire, Joseph Conrad and Chinua Achebe; Charlotte Bronte and Jean Rhys; William Faulkner and Edouard Glissant.
Critical approaches to focused film topics involving film genres, directorial styles, or trends within a national cinema. Topics will vary from semester to semester.
A concentrated study of a special period, author or genre to be determined as needed in the departmental program.
Rotating topics in world literature, including treatment of the subject's theoretical or methodological framework. Possible subjects: colonialism and literature; orality and literature; the Renaissance; the Enlightenment; translation; comparison of North and South American literatures; African literary traditions; postmodernism and gender. (Permission required)
Dr Meredith Fosque
Assistant Teaching Professor
Department of World Languages and Literatures
Office: Withers 418